First time Director Vishesh Bhatt is believed to have said that their films are "succeeding backwards". True, the quality is depleting but this hasn't really affected their business. So, is this movie a game changer for Bhatt camp or not?
An official re-make of the 2011 Spanish film "La cara oculta", the film is about a successful model photographer Vikram (Randeep Hooda) who finds his girlfriend Roshni (Aditi Rao Hydari) suddenly gone missing and the events that follow thereafter. One drunken night in a bar gets Vikram close to a hostess Nisha (Sara Loren) who soon start a romance. But Vikram's house seems to have some dark secrets.
The dullest part in the movie is the first half, which seems like a series of songs with a bit of story thrown in and is exceptionally boring. At first we are told how Vikram met Roshni in Cape town, and then dealing with his romance with Nisha. The hero is shown to be living alone in a palatial home on the outskirts of Mumbai. Wondering how on earth did he manage to commute everyday in a self-driven car! Phew!
And if you can manage to sit through this for an hour, then comes the surprise! The whole story goes into a different tangent from there on. Although a bit contrived, you soon accept it and flow along with the story. As with any suspense film, you are better off not knowing it till you actually see it. Then, the problem is that, by the time the film starts to get better, it may have alas, lost its audience already.
Randeep Hooda, who looks more a goon than an actor makes a sincere attempt to act, in a role where he is brooding and mysterious. The girls on the other hand outshine him. Sara Loren, who earlier made a debut as Mona Lisa in 'Kajraa Re' with Himesh Reshammiya is here with a changed name. And there's Aditi Rao Hydari playing the kind hearted girl who leaves everything behind to travel with her lover to India.
The biggest blunder is that the set hardly looks realistic. The home, which we are made to believe that it is from the pre-independence era doesn't remotely look like one. It is difficult to describe the lacunae further without discussing the suspense. Hence, leaving it at this so that you can figure it out. But for their own good the Bhatts need to pull up thier socks rather than stay in the 'succeeding backwards' comfort zone.
Given the kind of movie that 'Murder 3' is, it is an outright verdict is difficult. If you are looking for Emraan Hashmi style sleaze and songs a la Bhatt camp style, this movie doesn't have those. If are looking for edge-of-the-seat thrills throughout, then look elsewhere. Instead, if you are willing to sit through and daydream till interval time, your immense patience would be rewarded with a watchable suspense.